A Wrinkle in Time

Winner of the 1963 Newbery Medal

Madeleine L'Engle’s 'A Wrinkle in Time' is a beautifully imaginative and deeply compassionate science fantasy novel that explores the profound power of love and individuality. The story centers on Meg Murry, an awkward, fiercely protective teenager struggling to find her place in the world while grappling with the mysterious disappearance of her scientist father.

When three eccentric, celestial beings—Mrs. Whatsit, Mrs. Who, and Mrs. Which—arrive to help, Meg, her brilliant little brother Charles Wallace, and her empathetic friend Calvin O'Keefe embark on an extraordinary journey across the universe. They travel through a "tesseract," a wrinkle in space and time, plunging into a cosmic battle against the Black Thing, a spreading shadow of evil. Their quest leads them to Camazotz, a chillingly conformist planet ruled by "IT," a giant disembodied brain that enforces absolute sameness by stripping away free will and independent thought.

As they face terrifying obstacles, Meg quickly realizes that her perceived weaknesses—her stubbornness, her anger, and her deep vulnerability—are actually her greatest weapons. In a gripping climax, it is not cold logic or physical strength that saves her family, but the one thing "IT" cannot comprehend: an overwhelming, unconditional love.

'A Wrinkle in Time' is much more than a thrilling intergalactic adventure. It is a tender, validating coming-of-age story that reassures readers that our flaws make us beautifully human, and that the light of love can conquer the darkest corners of the universe.

Madeleine L'Engle was an American writer best known for her young adult fiction, particularly the Newbery Medal-winning A Wrinkle in Time and its sequels A Wind in the Door, A Swiftly Tilting Planet, and Many Waters. Her works reflect her strong interest in modern science: tesseracts, for example, are featured prominently in A Wrinkle in Time, mitochondrial DNA in A Wind in the Door, organ regeneration in The Arm of the Starfish, and so forth.
"Madeleine was born on November 29th, 1918, and spent her formative years in New York City. Instead of her school work, she found that she would much rather be writing stories, poems and journals for herself, which was reflected in her grades (not the best). However, she was not discouraged.
At age 12, she moved to the French Alps with her parents and went to an English boarding school where, thankfully, her passion for writing continued to grow. She flourished during her high school years back in the United States at Ashley Hall in Charleston, South Carolina, vacationing with her mother in a rambling old beach cottage on a beautiful stretch of Florida beach.
She went to Smith College and studied English with some wonderful teachers as she read the classics and continued her own creative writing. She graduated with honors and moved into a Greenwich Village apartment in New York. She worked in the theater, where Equity union pay and a flexible schedule afforded her the time to write! She published her first two novels during these years—A Small Rain and Ilsa—before meeting Hugh Franklin, her future husband, when she was an understudy in Anton Chekov's The Cherry Orchard. They married during The Joyous Season.

"A Wrinkle in Time" by Madeleine L'Engle is a timeless blend of science fiction, fantasy, and coming-of-age storytelling that explores the power of love, courage, and individuality. The novel follows Meg Murry, an intelligent but insecure teenage girl who struggles to fit in at school and often feels overshadowed by others. Her younger brother, Charles Wallace, is extraordinarily gifted, possessing remarkable intelligence and intuition that make him seem unusual to those around him. Their father, a brilliant scientist, disappeared mysteriously several years earlier while working on a secret government project involving space and time. His absence has left the Murry family burdened with grief and uncertainty, while rumors from neighbors only deepen Meg's sense of isolation. Although life appears ordinary on the surface, strange events soon reveal that the universe holds far greater mysteries than Meg could ever have imagined.

The adventure begins on a stormy night when an eccentric old woman named Mrs. Whatsit unexpectedly visits the Murry home. She casually mentions something called a "tesseract," a concept that intrigues Meg's scientist mother and hints at her missing father's research. Soon afterward, Meg, Charles Wallace, and their new friend Calvin O'Keefe encounter Mrs. Whatsit again, this time accompanied by two equally mysterious beings, Mrs. Who and Mrs. Which. The three celestial women reveal that they are not ordinary humans but ancient, benevolent creatures dedicated to fighting the darkness spreading throughout the universe. They explain that a tesseract is a way of folding space and time, allowing travelers to cross unimaginable distances instantly. Most importantly, they reveal that Mr. Murry is still alive but trapped on a distant planet dominated by an evil force, and only the children can rescue him.

Using the power of the tesseract, the travelers journey through breathtaking worlds unlike anything they have ever known. Their first stop is the beautiful planet Uriel, where they witness magnificent landscapes and creatures that exist in harmony with one another. Here, the children begin to understand that the universe is engaged in an endless battle between light and darkness. Mrs. Which explains that many great figures from Earth's history—including artists, scientists, philosophers, and spiritual leaders—have fought against this universal evil in their own ways by bringing knowledge, beauty, hope, and truth to humanity. These revelations broaden Meg's understanding of her own world and help her realize that every person's unique gifts can contribute to defeating darkness.

As the journey continues, the children are shown a terrifying black cloud known simply as the Dark Thing, which has engulfed countless planets. They learn that Earth itself is partially trapped beneath this oppressive force, explaining why hatred, fear, and cruelty continue to exist. Eventually they arrive on the planet Camazotz, a world where absolute order and complete conformity have replaced freedom and individuality. Every child bounces a ball in perfect rhythm, every house looks identical, and every citizen behaves exactly the same. At first glance the society appears peaceful, but beneath its flawless appearance lies an atmosphere of fear and oppression. No one is allowed to think independently or express personal emotions, and anyone who differs from the norm is swiftly corrected.

While searching for Mr. Murry, the children discover that Camazotz is controlled by a powerful disembodied intelligence known as IT. This immense brain exercises complete mental control over every inhabitant, stripping them of their individuality and forcing them into perfect obedience. Charles Wallace, confident in his exceptional intelligence, attempts to confront IT alone. However, his pride becomes his greatest weakness, and IT successfully enters his mind, taking control of him. Possessed by this malevolent force, Charles Wallace becomes cold, calculating, and hostile toward Meg and Calvin. Instead of helping them, he leads them deeper into danger, forcing Meg to face the heartbreaking reality that her beloved brother is no longer acting of his own free will.

Eventually the children find Mr. Murry imprisoned on Camazotz. Although physically weakened, he is relieved to see his children and quickly understands the danger surrounding them. Using the tesseract, he manages to escape with Meg and Calvin, but in the confusion Charles Wallace remains behind under IT's control. The group narrowly reaches another planet where gentle, sightless creatures care for Meg as she recovers from the exhausting journey. There they meet a wise being known as Aunt Beast, whose kindness, compassion, and unconditional acceptance comfort Meg during one of the darkest moments of her life. Through Aunt Beast's nurturing presence, Meg gradually begins to see herself differently. Instead of focusing on her flaws and insecurities, she starts recognizing her own inner strength and the importance of believing in herself.

The three mysterious guides soon reveal that only Meg can return to Camazotz and rescue Charles Wallace. Neither Calvin nor Mr. Murry possesses the one quality necessary to defeat IT. Although frightened, Meg accepts the responsibility and returns alone. When she confronts IT, logic, intelligence, and physical strength prove completely useless against its overwhelming mental power. Even Charles Wallace, speaking under IT's influence, mocks her weaknesses and attempts to break her spirit. For a moment Meg feels helpless, believing she has nothing valuable to offer. Then she remembers everything she has learned throughout her journey, especially Aunt Beast's gentle wisdom about love and acceptance. She realizes that while IT can manipulate fear, pride, and intellect, it cannot understand genuine love.

Drawing upon the deep, unconditional love she feels for her brother, Meg reaches through the darkness surrounding Charles Wallace. Instead of arguing or fighting, she simply loves him with all her heart, reminding him of the bond they have always shared. This pure expression of love becomes the one force IT cannot control or overcome. The darkness loses its hold over Charles Wallace, freeing him from its influence. At that moment Meg discovers that her greatest weakness had actually concealed her greatest strength. Throughout her life she had viewed herself as awkward, emotional, and imperfect, yet these very qualities allowed her to love more deeply than anyone else. By embracing her true self instead of wishing to be someone different, she succeeds where superior intelligence alone had failed.

With Charles Wallace finally free, the family escapes Camazotz and returns safely to Earth through the tesseract. Mr. Murry is reunited with his wife after years of separation, bringing joy and healing to the entire family. Meg emerges from the adventure transformed. She no longer measures her worth by comparing herself to others or by focusing on her insecurities. Instead, she understands that courage is not the absence of fear but the willingness to act despite it, and that love is the most powerful force in existence. Madeleine L'Engle concludes the novel with a deeply hopeful message: every individual possesses unique gifts that contribute to the triumph of light over darkness. Through its unforgettable characters, imaginative worlds, and profound exploration of family, identity, and compassion, A Wrinkle in Time remains a beloved classic that reminds readers that love, individuality, and hope will always be stronger than fear and conformity.

1 : Mrs Whatsit

It was a dark and stormy night.

In her attic bedroom Margaret Murry, wrapped in an old patchwork quilt, sat on the foot of her bed and watched the trees tossing in the frenzied lashing of the wind. Behind the trees clouds scudded frantically across the sky. Every few moments the moon ripped through them, creating wraithlike shadows that raced along the ground.

The house shook.

Wrapped in her quilt, Meg shook.

She wasn’t usually afraid of weather.—It’s not just the weather, she thought.—It’s the weather on top of everything else. On top of me. On top of Meg Murry doing everything wrong.

School. School was all wrong. She’d been dropped down to the lowest section in her grade. That morning one of her teachers had said crossly, “Really, Meg, I don’t understand how a child with parents as brilliant as yours are supposed to be can be such a poor student. If you don’t manage to do a little better you’ll have to stay back next year.”

During lunch she’d rough-housed a little to try to make herself feel better, and one of the girls said scornfully, “After all, Meg, we aren’t grammar-school kids anymore. Why do you always act like such a baby?”

And on the way home from school, walking up the road with her arms full of books, one of the boys had said something about her “dumb baby brother.” At this she’d thrown the books on the side of the road and tackled him with every ounce of strength she had, and arrived home with her blouse torn and a big bruise under one eye.

Sandy and Dennys, her ten-year-old twin brothers, who got home from school an hour earlier than she did, were disgusted. “Let us do the fighting when it’s necessary,” they told her.

—A delinquent, that’s what I am, she thought grimly.—That’s what they’ll be saying next. Not Mother. But Them. Everybody Else. I wish Father—

But it was still not possible to think about her father without the danger of tears. Only her mother could talk about him in a natural way, saying, “When your father gets back—”

Gets back from where? And when? Surely her mother must know what people were saying, must be aware of the smugly vicious gossip. Surely it must hurt her as it did Meg. But if it did she gave no outward sign. Nothing ruffled the serenity of her expression.

—Why can’t I hide it, too? Meg thought. Why do I always have to show everything?

The window rattled madly in the wind, and she pulled the quilt close about her. Curled up on one of her pillows a gray fluff of kitten yawned, showing its pink tongue, tucked its head under again, and went back to sleep.

Everybody was asleep. Everybody except Meg. Even Charles Wallace, the “dumb baby brother,” who had an uncanny way of knowing when she was awake and unhappy, and who would come, so many nights, tiptoeing up the attic stairs to her—even Charles Wallace was asleep.

How could they sleep? All day on the radio there had been hurricane warnings. How could they leave her up in the attic in the rickety brass bed, knowing that the roof might be blown right off the house, and she tossed out into the wild night sky to land who knows where? Her shivering grew uncontrollable.

—You asked to have the attic bedroom, she told herself savagely.—Mother let you have it because you’re the oldest. It’s a privilege, not a punishment.

“Not during a hurricane, it isn’t a privilege,” she said aloud. She tossed the quilt down on the foot of the bed, and stood up. The kitten stretched luxuriously, and looked up at her with huge, innocent eyes.

“Go back to sleep,” Meg said. “Just be glad you’re a kitten and not a monster like me.” She looked at herself in the wardrobe mirror and made a horrible face, baring a mouthful of teeth covered with braces. Automatically she pushed her glasses into position, ran her fingers through her mouse-brown hair, so that it stood wildly on end, and let out a sigh almost as noisy as the wind.

The wide wooden floorboards were cold against her feet. Wind blew in the crevices about the window frame, in spite of the protection the storm sash was supposed to offer. She could hear wind howling in the chimneys. From all the way downstairs she could hear Fortinbras, the big black dog, starting to bark. He must be frightened, too. What was he barking at? Fortinbras never barked without reason.

Suddenly she remembered that when she had gone to the post office to pick up the mail she’d heard about a tramp who was supposed to have stolen twelve sheets from Mrs. Buncombe, the constable’s wife. They hadn’t caught him, and maybe he was heading for the Murrys’ house right now, isolated on a back road as it was; and this time maybe he’d be after more than sheets. Meg hadn’t paid much attention to the talk about the tramp at the time, because the postmistress, with a sugary smile, had asked if she’d heard from her father lately.

She left her little room and made her way through the shadows of the main attic, bumping against the ping-pong table.—Now I’ll have a bruise on my hip on top of everything else, she thought.

Next she walked into her old dolls’ house, Charles Wallace’s rocking horse, the twins’ electric trains. “Why must everything happen to me?” She demanded of a large teddy bear.

At the foot of the attic stairs she stood still and listened. Not a sound from Charles Wallace’s room on the right. On the left, in her parents’ room, not a rustle from her mother sleeping alone in the great double bed. She tiptoed down the hall and into the twins’ room, pushing again at her glasses as though they could help her to see better in the dark. Dennys was snoring. Sandy murmured something about baseball and subsided. The twins didn’t have any problems. They weren’t great students, but they weren’t bad ones, either. They were perfectly content with a succession of B’s and an occasional A or C. They were strong and fast runners and good at games, and when cracks were made about anybody in the Murry family, they weren’t made about Sandy and Dennys.

She left the twins’ room and went on downstairs, avoiding the creaking seventh step. Fortinbras had stopped barking. It wasn’t the tramp this time, then. Fort would go on barking if anybody was around.

—But suppose the tramp does come? Suppose he has a knife? Nobody lives near enough to hear if we screamed and screamed and screamed. Nobody’s care, anyhow.

—I’ll make myself some cocoa, she decided.—That’ll cheer me up, and if the roof blows off at least I won’t go off with it.

In the kitchen a light was already on, and Charles Wallace was sitting at the table drinking milk and eating bread and jam. He looked very small and vulnerable sitting there alone in the big old-fashioned kitchen, a blond little boy in faded blue Dr. Dentons, his feet swinging a good six inches above the floor.

“Hi,” he said cheerfully. “I’ve been waiting for you.”

From under the table where he was lying at Charles Wallace’s feet, hoping for a crumb or two, Fortinbras raised his slender dark head in greeting to Meg, and his tail thumped against the floor. Fortinbras had arrived on their doorstep, a half-grown puppy, scrawny and abandoned, one winter night. He was, Meg’s father had decided, part Llewellyn setter and part greyhound, and he had a slender, dark beauty that was all his own.

“Why didn’t you come up to the attic?” Meg asked her brother, speaking as though he were at least her own age. “I’ve been scared stiff.”

“Too windy up in that attic of yours,” the little boy said. “I knew you’d be down. I put some milk on the stove for you. It ought to be hot by now.”

How did Charles Wallace always know about her? How could he always tell? He never knew—or seemed to care—what Dennys or Sandy were thinking. It was his mother’s mind, and Meg’s, that he probed with frightening accuracy.

Was it because people were a little afraid of him that they whispered about the Murrys’ youngest child, who was rumored to be not quite bright? “I’ve heard that clever people often have subnormal children,” Meg had once overheard. “The two boys seem to be nice, regular children, but that unattractive girl and the baby boy certainly aren’t all there.”

It was true that Charles Wallace seldom spoke when anybody was around, so that many people thought he’d never learned to talk. And it was true that he hadn’t talked at all until he was almost four. Meg would turn white with fury when people looked at him and clucked, shaking their heads sadly.

“Don’t worry about Charles Wallace, Meg,” her father had once told her. Meg remembered it very clearly because it was shortly before he went away. “There’s nothing the matter with his mind. He just does things in his own way and in his own time.”

“I don’t want him to grow up to be dumb like me,” Meg had said.

“Oh, my darling, you’re not dumb,” her father answered. “You’re like Charles Wallace. Your development has to go at its own pace. It just doesn’t happen to be the usual pace.”

“How do you know?” Meg had demanded. “How do you know I’m not dumb? Isn’t it just because you love me?”

“I love you, but that’s not what tells me. Mother and I’ve given you a number of tests, you know.” Yes, that was true. Meg had realized that some of the “games” her parents played with her were tests of some kind, and that there had been more for her and Charles Wallace than for the twins. “IQ tests, you mean?”

“Yes, some of them.”

“Is my IQ okay?”

“More than okay.”

“What is it?”

“That I’m not going to tell you. But it assures me that both you and Charles Wallace will be able to do pretty much whatever you like when you grow up to yourselves. You just wait till Charles Wallace starts to talk. You’ll see.”

How right he had been about that, though he himself had left before Charles Wallace began to speak, suddenly, with none of the usual baby preliminaries, using entire sentences. How proud he would have been!

“You’d better check the milk,” Charles Wallace said to Me now, his diction clearer and clearer than that of most five-year-olds. “You know you don’t like it when it gets a skin on top.”

“You put in more than twice enough milk.” Meg peered into the saucepan.

Charles Wallace nodded serenely. “I thought Mother might like some.”

“I might like what?” a voice said, and there was their mother standing in the doorway.

“Cocoa,” Charles Wallace said. “Would you like a liverwurst-and-cream-cheese sandwich? I’ll be happy to make you one.”

“That would be lovely,” Mrs. Murry said, “but I can make it myself if you’re busy.”

“No trouble at all.” Charles Wallace slid down from his chair and trotted over to the refrigerator, his pajamaed feet padding softly as a kitten’s. “How about you, Meg?” he asked. “Sandwich?”

“Yes, please,” she said. “But not liverwurst. Do we have any tomatoes?”

Charles Wallace peered into the crisper. “One. All right if I use it on Meg, Mother?”

“To what better use could it be put?” Mrs. Murry smiled. “But not so loud, please, Charles. That is, unless you want the twins downstairs, too.”

“Let’s be exclusive,” Charles Wallace said. “That’s my new word for the day. Impressive, isn’t it?”

“Prodigious,” Mrs. Murry said. “Meg, come let me look at that bruise.”

Meg knelt at her mother’s feet. The warmth and light of the kitchen had relaxed her so that her attic fears were gone. The cocoa steamed fragrantly in the saucepan; geraniums bloomed on the window sills and there was a bouquet of tiny yellow chrysanthemums in the center of the table. The curtains, red, with a blue and green geometrical pattern, were drawn, and seemed to reflect their cheerfulness throughout the room. The furnace purred like a great, sleepy animal; the lights glowed with steady radiance; outside, alone in the dark, the wind still battered against the house, but the angry power that had frightened Meg while she was alone in the attic was subdued by the familiar comfort of the kitchen. Underneath Mrs. Murry’s chair Fortinbras let out a contented sigh.

Mrs. Murry gently touched Meg’s bruised cheek. Meg looked up at her mother, half in loving admiration, half in sullen resentment. It was not an advantage to have a mother who was a scientist and a beauty as well. Mrs. Murry’s flaming red hair, creamy skin, and violet eyes with long dark lashes, seemed even more spectacular in comparison with Meg’s outrageous plainness. Meg’s hair had been passable as long as she wore it tidily in braids. When she went into high school it was cut, and now she and her mother struggled with putting it up, but one side would come out curly and the other straight, so that she looked even plainer than before.

“You don’t know the meaning of moderation, do you, my darling?” Mrs. Murry asked. “A happy medium is something I wonder if you’ll ever learn. That’s a nasty bruise the Henderson boy gave you. By the way, shortly after you’d gone to bed his mother called up to complain about how badly you’d hurt him. I told her that since he’s a year older and at least twenty-five pounds heavier than you are, I thought I was the one who ought to be doing the complaining. But she seemed to think it was all your fault.”

“I suppose that depends on how you look at it,” Meg said. “Usually no matter what happens people think it’s my fault, even if I have nothing to do with it at all. But I’m sorry I tried to fight him. It’s just been an awful week. And I’m full of bad feeling.”

Mrs. Murry stroked Meg’s shaggy head. “Do you know why?”

“I hate being an oddball,” Meg said. “It’s hard on Sandy and Dennys, too. I don’t know if they’re really like everybody else, or if they’re just able to pretend they are. I try to pretend, but it isn’t any help.”

“You’re much too straightforward to be able to pretend to be what you aren’t,” Mrs. Murry said. “I’m sorry, Meglet. Maybe if Father were here he could help you, but I don’t think I can do anything till you’ve managed to plow through some more time. Then things will be easier for you. But that isn’t much help right now, is it?”

“Maybe if I weren’t so repulsive-looking—maybe if I were pretty like you—”

“Mother’s not a bit pretty; she’s beautiful,” Charles Wallace announced, slicing liverwurst. “Therefore I bet she was awful at your age.”

“How right you are,” Mrs. Murry said. “Just give yourself time, Meg.”

“Lettuce on your sandwich, Mother?” Charles Wallace asked.

“No, thanks.”

He cut the sandwich into sections, put it on a plate, and set it in front of his mother. “Yours’ll be along in just a minute, Meg. I think I’ll talk to Mrs Whatsit about you.”

“Who’s Mrs Whatsit?” Meg asked.

“I think I want to be exclusive about her for a while,” Charles Wallace said. “Onion salt?”

“Yes, please.”

“What’s Mrs Whatsit stand for?” Mrs. Murry asked.

“That’s her name,” Charles Wallace answered. “You know the old shingled house back in the woods that the kids won’t go near because they say it’s haunted? That’s where they live.”

“They?”

“Mrs Whatsit and her two friends. I was out with Fortinbras a couple of days ago—you and the twins were at school, Meg. We like to walk in the woods, and suddenly he took off after a squirrel and I took off after him and we ended up by the haunted house, so I met them by accident, as you might say.”

“But nobody lives there,” Meg said.

“Mrs Whatsit and her friends do. They’re very enjoyable.”

“Why didn’t you tell me about it before?” Mrs. Murry asked. “And you know you’re not supposed to go off our property without permission, Charles.”

“I know,” Charles said. “That’s one reason I didn’t tell you. I just rushed off after Fortinbras without thinking. And then I decided, well, I’d better save them for an emergency, anyhow.”

A fresh gust of wind took the house and shook it, and suddenly the rain began to lash against the windows.

“I don’t think I like this wind,” Meg said nervously.

“We’ll lose some shingles off the roof, that’s certain,” Mrs. Murry said. “But this house has stood for almost two hundred years and I think it will last a little longer, Meg. There’s been many a high wind up on this hill.”

“But this is a hurricane!” Meg wailed. “The radio kept saying it was a hurricane!”

“It’s October,” Mrs. Murry told her. “There’ve been storms in October before.”

As Charles Wallace gave Meg her sandwich Fortinbras came out from under the table. He gave a long, low growl, and they could see the dark fur slowly rising on his back. Meg felt her own skin prickle.

“What’s wrong?” she asked anxiously.

Fortinbras stared at the door that opened into Mrs. Murry’s laboratory which was in the old stone dairy right off the kitchen. Beyond the lab a pantry led outdoors, though Mrs. Murry had done her best to train the family to come into the house through the garage door or the front door and not through her lab. But it was the lab door and not the garage door toward which Fortinbras was growling.

“You didn’t leave any nasty-smelling chemicals cooking over a Bunsen burner, did you, Mother?” Charles Wallace asked.

Mrs. Murray stood up. “No. But I think I’d better go see what’s upsetting Fort, anyhow.”

“It’s the tramp, I’m sure it’s the tramp,” Meg said nervously.

“What tramp?” Charles Wallace asked.

“They were saying at the post office this afternoon that a tramp stole all Mrs. Buncombe’s sheets.”

“We’d better sit on the pillow cases, then,” Mrs. Murry said lightly. “I don’t think even a tramp would be out on a night like this, Meg.”

“But that’s probably why he is out,” Meg wailed, “trying to find a place not to be out.”

“In which case I’ll offer him the barn till morning.” Mrs. Murry went briskly to the door.

“I’ll go with you.” Meg’s voice was shrill.

“No, Meg, you stay with Charles and eat your sandwich.”

“Eat!” Meg exclaimed as Mrs. Murry went out through the lab. “How does she expect me to eat?”

“Mother can take care of herself,” Charles said. “Physically, that is.” But he sat in his father’s chair at the table and his legs kicked at the rungs; and Charles Wallace, unlike most small children, had the ability to sit still.

After a few moments that seemed like forever to Meg, Mrs. Murry came back in, holding the door open for—was it the tramp? It seemed small for Meg’s idea of a tramp. The age or sex was impossible to tell, for it was completely bundled up in clothes. Several scarves of assorted colors were tied about the head, and a man’s felt hat perched atop. A shocking pink stole was knotted about a rough overcoat, and black rubber boots covered the feet.

“Mrs Whatsit,” Charles said suspiciously, “what are you doing here? And at this time of night, too?”

“Now don’t you be worried, my honey.” A voice emerged from among turned-up coat collar, stole, scarves, and hat, a voice like an unoiled gate, but somehow not unpleasant.

“Mrs—uh—Whatsit—says she lost her way,” Mrs. Murry said. “Would you care for some hot chocolate, Mrs Whatsit?”

“Charmed, I’m sure,” Mrs Whatsit answered, taking off the hat and the stole. “It isn’t so much that I lost my way as that I got blown off course. And when I realized that I was at little Charles Wallace’s house I thought I’d just come in and rest a bit before proceeding on my way.”

“How did you know this was Charles Wallace’s house?” Meg asked.

“By the smell.” Mrs Whatsit untied a blue and green paisley scarf, a red and yellow flowered print, a gold Liberty print, a red and black bandanna. Under all this a sparse quantity of grayish hair was tied in a small but tidy knot on top of her head. Her eyes were bright, her nose a round, soft blob, her mouth puckered like an autumn apple. “My, but it’s lovely and warm in here,” she said.

“Do sit down.” Mrs. Murry indicated a chair. “Would you like a sandwich, Mrs Whatsit? I’ve had liverwurst and cream cheese; Charles has had bread and jam; and Meg, lettuce and tomato.”

“Now, let me see,” Mrs Whatsit pondered. “I’m passionately fond of Russian caviar.”

“You peeked!” Charles cried indignantly. “We’re saving that for Mother’s birthday and you can’t have any!”

Mrs Whatsit gave a deep and pathetic sigh.

“No,” Charles said. “Now, you mustn’t give in to her, Mother, or I shall be very angry. How about tuna-fish salad?”

“All right,” Mrs Whatsit said meekly.

“I’ll fix it,” Meg offered, going to the pantry for a can of tuna fish.

—For crying out loud, she thought,—this old woman comes barging in on us in the middle of the night and Mother takes it as though there weren’t anything peculiar about it at all. I’ll bet she is the tramp. I’ll bet she did steal those sheets. And she’s certainly no one Charles Wallace ought to be friends with, especially when he won’t even talk to ordinary people.

“I’ve only been in the neighborhood a short time,” Mrs Whatsit was saying as Meg switched off the pantry light and came back into the kitchen with the tuna fish, “and I didn’t think I was going to like the neighbors at all until dear little Charles came over with his dog.”

“Mrs Whatsit,” Charles Wallace demanded severely, “why did you take Mrs. Buncombe’s sheets?”

“Well, I needed them, Charles dear.”

“You must return them at once.”

“But Charles, dear, I can’t. I’ve used them.”

“It was very wrong of you,” Charles Wallace scolded. “If you needed sheets that badly you should have asked me.”

Mrs Whatsit shook her head and clucked. “You can’t spare any sheets. Mrs. Buncombe can.”

Meg cut up some celery and mixed it in with the tuna. After a moment’s hesitation she opened the refrigerator door and brought out a jar of little sweet pickles.—Though why I’m doing it for her I don’t know, she thought, as she cut them up.—I don’t trust her one bit.

“Tell your sister I’m all right,” Mrs Whatsit said to Charles.“Tell her my intentions are good.”

“The road to hell is paved with good intentions,” Charles intoned.

“My, but isn’t he cunning.” Mrs Whatsit beamed at him fondly. “It’s lucky he has someone to understand him.”

“But I’m afraid he doesn’t,” Mrs. Murry said. “None of us is quite up to Charles.”

“But at least you aren’t trying to squash him down.” Mrs Whatsit nodded her head vigorously. “You’re letting him be himself.”

“Here’s your sandwich,” Meg said, bringing it to Mrs Whatsit.

“Do you mind if I take off my boots before I eat?” Mrs Whatsit asked, picking up the sandwich nevertheless. “Listen.” She moved her feet up and down in her boots, and they could hear water squelching. “My toes are ever so damp. The trouble is that these boots are a mite too tight for me, and I never can take them off by myself.”

“I’ll help you,” Charles offered.

“Not you. You’re not strong enough.”

“I’ll help.” Mrs. Murry squatted at Mrs Whatsit’s feet, yanking on one slick boot. When the boot came off it came suddenly. Mrs. Murry sat down with a thump. Mrs Whatsit went tumbling backward with the chair onto the floor, sandwich held high in one old claw. Water poured out of the boot and ran over the floor and the big braided rug.

“Oh, dearie me,” Mrs Whatsit said, lying on her back in the overturned chair, her feet in the air, one in a red and white striped sock, the other still booted.

Mrs. Murry got to her feet. “Are you all right, Mrs Whatsit?”

“If you have some liniment I’ll put it on my dignity,” Mrs Whatsit said, still supine. “I think it’s sprained. A little oil of cloves mixed well with garlic is rather good.” And she took a large bite of sandwich.

“Do please get up,” Charles said. “I don’t like to see you lying there that way. You’re carrying things too far.”

“Have you ever tried to get to your feet with a sprained dignity?” But Mrs Whatsit scrambled up, righted the chair, and then sat back down on the floor, the booted foot stuck out in front of her, and took another bite. She moved with great agility for such an old woman. At least Meg was reasonably sure that she was an old woman, and a very old woman at that.

Mrs Whatsit, her mouth full, ordered Mrs. Murry, “Now pull while I’m already down.”

Quite calmly, as though this old woman and her boots were nothing out of the ordinary, Mrs. Murry pulled until the second boot relinquished the foot. This foot was covered with a blue and gray Argyle sock, and Mrs Whatsit sat there, wriggling her toes, contentedly finishing her sandwich before scrambling to her feet. “Ah,” she said, “that’s ever so much better,” and took both boots and shook them out over the sink. “My stomach is full and I’m warm inside and out and it’s time I went home.”

“Don’t you think you’d better stay till morning?” Mrs. Murry asked.

“Oh, thank you, dearie, but there’s so much to do I just can’t waste time sitting around frivoling.” “It’s much too wild a night to travel in.”

“Wild nights are my glory,” Mrs Whatsit said. “I just got caught in a down draft and blown off course.”

“Well, at least till your socks are dry—”

“Wet socks don’t bother me. I just didn’t like the water squishing around in my boots. Now don’t worry about me, lamb.” (Lamb was not a word one would ordinarily think of calling Mrs. Murry.) “I shall just sit down for a moment and pop on my boots and then I’ll be on my way. Speaking of ways, pet, by the way, there is such a thing as a tesseract.”

Mrs. Murry went very white and with one hand reached backward and clutched at a chair for support. Her voice trembled. “What did you say?”

Mrs Whatsit tugged at her second boot. “I said,” she grunted, shoving her foot down in, “that there is”—shove—“such a thing”—shove—“as a tesseract.” Her foot went down into the boot, and grabbing shawls, scarves, and hat, she hustled out the door. Mrs. Murry stayed very still, making no move to help the old woman. As the door opened, Fortinbras streaked in, panting, wet and shiny as a seal. He looked at Mrs. Murry and whined.

The door slammed.

“Mother, what’s the matter!” Meg cried. “What did she say? What is it?”

“The tesseract—” Mrs. Murry whispered. “What did she mean? How could she have known?”

2 : Mrs Who

When Meg woke to the jangling of her alarm clock the wind was still blowing but the sun was shining; the worst of the storm was over. She sat up in bed, shaking her head to clear it.

It must have been a dream. She’d been frightened by the storm and worried about the tramp so she’d just dreamed about going down to the kitchen and seeing Mrs Whatsit and having her mother get all frightened and upset by that word—what was it? Tess—tess something.

She dressed hurriedly, picked up the kitten still curled up on the bed, and dumped it unceremoniously on the floor. The kitten yawned, stretched, gave a piteous miaow, trotted out of the attic and down the stairs. Meg made her bed and hurried after it. In the kitchen her mother was making French toast and the twins were already at the table. The kitten was lapping milkout of a saucer.

“Where’s Charles?” Meg asked.

“Still asleep. We had rather an interrupted night, if you remember.”

“I hoped it was a dream,” Meg said.

Her mother carefully turned over four slices of French toast, then said in a steady voice, “No, Meg. Don’t hope it was a dream. I don’t understand it any more than you do, but one thing I’ve learned is that you don’t have to understand things for them to be. I’m sorry I showed you I was upset. Your father and I used to have a joke about tesseract.”

“What is a tesseract?” Meg asked.

“It’s a concept.” Mrs. Murry handed the twins the syrup. “I’ll try to explain it to you later. There isn’t time before school.”

“I don’t see why you didn’t wake us up,” Dennys said. “It’s a gyp we missed out on all the fun.”

“You’ll be a lot more awake in school today than I will.” Meg took her French toast to the table.

“Who cares,” Sandy said. “If you’re going to let old tramps come into the house in the middle of the night, Mother, you ought to have Den and me around to protect you.”

“After all, Father would expect us to,” Dennys added.

“We know you have a great mind and all, Mother,” Sandy said, “but you don’t have much sense. And certainly Meg and Charles don’t.”

“I know. We’re morons.” Meg was bitter.

“I wish you wouldn’t be such a dope, Meg. Syrup, please.” Sandy reached across the table. “You don’t have to take everything so personally. Use a happy medium, for heaven’s sake. You just go of around in school and look out the window and don’t pay any attention.”

“You just make things harder for yourself,” Dennys said. “And Charles Wallace is going to have an awful time next year when he starts school. We know he’s bright, but he’s so funny when he’s around other people, and they’re so used to thinking he’s dumb, I don’t know what’s going to happen to him. Sandy and I’ll sock anybody who picks on him, but that’s about all we can do.”

“Let’s not worry about next year till we get through this one,” Mrs. Murry said. “More French toast, boys?”

At school Meg was tired and her eyelids sagged and her mind wandered. In social studies she was asked to name the principal imports and exports of Nicaragua, and though she had looked them up dutifully the evening before, now she could remember none of them. The teacher was sarcastic, the rest of the class laughed, and she flung herself down in her seat in a fury. “Who cares about the imports and exports of Nicaragua, anyhow?” she muttered.

“If you’re going to be rude, Margaret, you may leave the room,” the teacher said.

“Okay, I will.” Meg flounced out.

During study hall the principal sent for her. “What seems to be the problem now, Meg?” he asked, pleasantly enough.

Meg looked sulkily down at the floor. “Nothing, Mr. Jenkins.”

“Miss Porter tells me you were inexcusably rude.”

Meg shrugged.

“Don’t you realize that you just make everything harder for yourself by your attitude?” the principal asked. “Now, Meg, I’m convinced that you can do the work and keep up with your grade if you will apply yourself, but some of your teachers are not. You’re going to have to do something about yourself. Nobody can do it for you.” Meg was silent. “Well? What about it, Meg?”

“I don’t know what to do,” Meg said.

“You could do your homework, for one thing. Wouldn’t your mother help you?”

“If I asked her to.”

“Meg, is something troubling you? Are you unhappy at home?” Mr. Jenkins asked.

At last Meg looked at him, pushing at her glasses in a characteristic gesture. “Everything’s fine at home.”

“I’m glad to hear it. But I know it must be hard on you to have your father away.”

Meg eyed the principal warily, and ran her tongue over the barbed line of her braces.

“Have you had any news from him lately?”

Meg was sure it was not only imagination that made her feel that behind Mr. Jenkins’ surface concern was a gleam of avid curiosity. Wouldn’t he like to know! she thought. And if I knew anything he’s the last person I’d tell. Well, one of the last.

The postmistress must know that it was almost a year now since the last letter, and heaven knows how many people she’d told, or what unkind guesses she’d made about the reason for the long silence.

Mr. Jenkins waited for an answer, but Meg only shrugged.

“Just what was your father’s line of business?” Mr. Jenkins asked. “Some kind of scientist, wasn’t he?”

“He is a physicist.” Meg bared her teeth to reveal the two ferocious lines of braces.

“Meg, don’t you think you’d make a better adjustment to life if you faced facts?”

“I do face facts,” Meg said. “They’re lots easier to face than people, I can tell you.”

“Then why don’t you face facts about your father?”

“You leave my father out of it!” Meg shouted.

“Stop bellowing,” Mr. Jenkins said sharply. “Do you want the entire school to hear you?”

“So what?” Meg demanded. “I’m not ashamed of anything I’m saying. Are you?”

Mr. Jenkins sighed. “Do you enjoy being the most belligerent, uncooperative child in school?”

Meg ignored this. She leaned over the desk toward the principal. “Mr. Jenkins, you’ve met my mother, haven’t you? You can’t accuse her of not facing facts, can you? She’s a scientist. She has doctors’ degrees in both biology and bacteriology. Her business is facts. When she tells me that my father isn’t coming home, I’ll believe it. As long as she says Father is coming home, then I’ll believe that.”

Mr. Jenkins sighed again. “No doubt your mother wants to believe that your father is coming home, Meg. Very well, I can’t do anything else with you. Go on back to study hall. Try to be a little less antagonistic. Maybe your work would improve if your general attitude were more tractable.”

When Meg got home from school her mother was in the lab, the twins were at Little League, and Charles Wallace, the kitten, and